Bhool Chuk Maaf (2025) Movie Bollyflix

Bhool Chuk Maaf brings together Rajkummar Rao and Wamiqa Gabbi in a unique time-loop romance. Karan Sharma directs this fantasy-comedy set in Varanasi, featuring Seema Pahwa and Sanjay Mishra in key roles.

Released on May 23, 2025, the film combines divine intervention with small-town love stories. The movie’s journey from platform confusion to theatrical release has been eventful, much like its plot.

Bhool Chuk Maaf Movie Actors

Plot

The story follows Ranjan Tiwari (Rajkummar Rao), a romantic from Varanasi who gets trapped in a time loop. He needs a government job to marry Titli Mishra (Wamiqa Gabbi), as demanded by her father.

Things turn supernatural when Ranjan forgets his vow to Lord Shiva and must relive the same day. He needs to discover what good deed will break the cycle and free him from this divine curse.

Cast Performance

Rajkummar Rao delivers another solid performance as Ranjan, handling both comedy and emotion well. His portrayal of a small-town romantic feels genuine and keeps viewers engaged despite the repetitive time-loop concept.

Wamiqa Gabbi brings charm to Titli’s character, creating believable chemistry with Rao. Her performance adds emotional depth, making the love story feel authentic rather than forced.

Seema Pahwa and Sanjay Mishra provide excellent support with their comedic timing. They help ground the fantastical elements in realistic family dynamics.

Direction and Technical Aspects

Karan Sharma shows promise in handling the complex narrative, though execution feels inconsistent. The film maintains clarity despite repetitive structure but struggles with momentum.

The cinematography captures Varanasi’s spiritual essence beautifully. Production design creates authentic small-town settings, though visual effects for supernatural elements feel modest.

My Take on the Film

I found Bhool Chuk Maaf to be a mixed bag. While Rao’s performance kept me engaged, the film doesn’t fully utilize its interesting premise. The time-loop concept feels familiar, and some comedy elements seem outdated.

The Varanasi setting works well, adding cultural authenticity to the story. However, I felt the pacing dragged in places, and the resolution was predictable.

Critics and Audience Response

The film received mixed reviews with a 6.8 IMDb rating. India Today gave it 1.5/5 stars, criticizing outdated concepts and weak storytelling. Critics praised Rao’s performance but found the film lacking in innovation.

Audience response was more positive than critics, appreciating the light entertainment value. The box office performance reflects this mixed reception.

Box Office Performance

Bhool Chuk Maaf opened with ₹6.75 crores on day one, showing modest numbers. The film crossed ₹45 crores in two weeks, heading toward ₹68 crores total collection.

These numbers indicate decent performance but fall short of expectations. The film found its audience among Rao’s fans and romantic comedy lovers.

What Works

Rajkummar Rao’s committed performance elevates weaker script moments. Varanasi’s cultural setting adds authenticity and spiritual depth. The supporting cast provides good comedic relief and emotional support.

The spiritual elements feel organic to Indian context. Family dynamics and small-town relationships create genuine moments of connection.

What Doesn’t Work

The screenplay suffers from pacing issues and repetitive scenarios. Some comedic elements feel outdated for contemporary audiences. The romantic arc needed better development.

Technical aspects lack polish expected from fantasy-romance films. Visual effects feel modest, and tonal shifts between genres create inconsistent experience.

Final Verdict

Bhool Chuk Maaf presents an interesting premise but fails to realize its full potential. Rao’s performance and cultural setting provide solid foundation, but pacing and predictable plotting hold it back.

The film works as light entertainment for casual viewers seeking romantic comedy with fantasy elements. It’s a decent one-time watch but lacks depth to stand out in competitive cinema landscape.